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Spaghetti al Nero di Seppia

Sicily · No.20 / 103

Spaghetti al Nero di Seppia

Spaghetti al Nero di Seppia, 4 ways

A pasta dyed black with squid ink, born of a fisherman's habit of using every part of the squid. The key divides are whether the ink is taken directly from the squid or bought as a commercial paste, and how far the tomato is pushed before it overwhelms the flavor of the ink.

20 min · Difficulty ●●●○○ · 4videos

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RyujiRecipe developer Partly unverified

Anchovy paste cooked down hard for depth, noodles kept firm to grip the sauce

  • Uses one whole squid to make two dishes — fried calamari and squid-ink pasta — a nose-to-tail, no-waste build
  • States plainly that cooking anchovy paste down hard "kills the fishy smell and boosts the umami"
  • Explicitly articulates why the pasta is cooked firm: "it hits just the right texture once it's tossed with the sauce"
  • Reserves a small amount of squid viscera as an optional add-in for extra depth
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In the chef’s words
  • Cooking the anchovy down hard kills the fishy smell and boosts the umami source
  • Cooking the pasta firm means it hits just the right texture once it's tossed with the sauce source

References: [1]

A generous finish of spearmint for a refreshing, cool-edged plate

  • Chops spearmint and stirs a generous amount through at the end — an unusual herb choice for an Italian dish
  • A specific recovery step for when the squid-ink sauce splits: loosen it with mineral water and heat to restore the sheen
  • Cooks shallot (or onion) slowly with garlic and chili over low heat to build a base aroma
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In the chef’s words
  • If the sauce splits, add mineral water to loosen it and heat to bring back the sheen source

References: [1] [2]

No squid meat at all — uruii's seasonal note and a light hand with tomato protect the ink's flavor

  • Uses no squid meat at all — finished with just squid-ink paste and uruii (a wild mountain vegetable) for a seasonal touch
  • States plainly: "Too much tomato sauce would blur out the flavor and aroma of the squid ink, so the amount is kept light"
  • Notes that whisking the sauce blends it more smoothly and helps it cling to the pasta
  • Offers substitutes if uruii isn't available — ramps (gyoja-ninniku) or endive
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In the chef’s words
  • Too much tomato sauce would blur out the flavor and aroma of the squid ink, so the amount is kept light source
  • If uruii isn't available, it can be substituted with ramps (gyoja-ninniku) or endive source

References: [1]

Compared on 10 axes

Figures are transcribed as written in each video or recipe page

AXIS Yoshimi Hidaka Ryuji Fabio Tomomi Ogura
Noodles, quantity, cooking 160g spaghettini (serves 2)200g of 1.4mm pasta (serves 2), pulled 1 minute short of package time for al dente70g spaghettini (serves 1)65-70g pasta
Salt in the pasta water Not specified1% of the water1.5% to 2L of water1.5% concentration
Preparing the squid, which parts are used Cuttlefish, spear squid, golden cuttlefish, Japanese flying squid, and shiroika, broken down individually; viscera and ink both usedA separate 140g of squid, finely cut for the pasta. A little viscera reserved for extra depth (optional)45g Japanese flying squid (rings and tentacles, lightly salted)None used — the dish is built on squid-ink paste alone, with no squid meat
Sourcing the squid ink Ink extracted directly from all five squid varieties (the video's own description frames it as a taste comparison between two — spear squid and cuttlefish)2 tsp squid-ink paste loosened with 1 to 1.5 tbsp wine2 packets of squid ink sacs (squid-ink paste also acceptable)5g squid-ink paste
Aromatic base (garlic, onion, etc.) Garlic and onion sautéed in olive oil20g garlic and 2 tsp anchovy paste cooked down hard, then 60g onionGarlic, chili, and 15g shallot cooked slowly over low heat1 clove garlic and 1 piece anchovy heated in olive oil with chili oil
How the tomato is used 100g strained canned tomatoHalf a can of tomato (200g) reduced with 2 bay leaves40g tomato puree50g tomato sauce (kept light so it doesn't get in the way of the squid ink's flavor)
How the white wine is used 50cc white wine to deglaze1 to 1.5 tbsp used to loosen the squid inkA little white wine, reduced over high heatNot used
Loosening/thickening the sauce Not specified (no mention of adding pasta water or plain water)A splash of pasta water added and tossed inIf the sauce splits, mineral water is added to loosen it and bring back the sheenWhisked to bring it together
Finish Finishing olive oil and Italian parsleyExtra black pepper plus 1.5 tbsp finishing olive oilA generous half-pack of spearmint stirred through1 stalk of uruii sliced diagonally into thin strips added in, finished with a drizzle of olive oil
Time required Not stated in the video (the process runs about 14 minutes)Not stated in the video (part of a two-dish build alongside fried calamari)Not stated (the process runs about 9 minutes 40 seconds)15 minutes (as stated for the video)
Source check Partly unverifiedPartly unverifiedPartly unverifiedPartly unverified
Yoshimi Hidaka Breaks down five kinds of squid for their ink, tomato stays strictly a supporting player
Noodles, quantity, cooking
160g spaghettini (serves 2)
Salt in the pasta water
Not specified
Preparing the squid, which parts are used
Cuttlefish, spear squid, golden cuttlefish, Japanese flying squid, and shiroika, broken down individually; viscera and ink both used
Sourcing the squid ink
Ink extracted directly from all five squid varieties (the video's own description frames it as a taste comparison between two — spear squid and cuttlefish)
Aromatic base (garlic, onion, etc.)
Garlic and onion sautéed in olive oil
How the tomato is used
100g strained canned tomato
How the white wine is used
50cc white wine to deglaze
Loosening/thickening the sauce
Not specified (no mention of adding pasta water or plain water)
Finish
Finishing olive oil and Italian parsley
Time required
Not stated in the video (the process runs about 14 minutes)
Source
Partly unverified
Ryuji Anchovy paste cooked down hard for depth, noodles kept firm to grip the sauce
Noodles, quantity, cooking
200g of 1.4mm pasta (serves 2), pulled 1 minute short of package time for al dente
Salt in the pasta water
1% of the water
Preparing the squid, which parts are used
A separate 140g of squid, finely cut for the pasta. A little viscera reserved for extra depth (optional)
Sourcing the squid ink
2 tsp squid-ink paste loosened with 1 to 1.5 tbsp wine
Aromatic base (garlic, onion, etc.)
20g garlic and 2 tsp anchovy paste cooked down hard, then 60g onion
How the tomato is used
Half a can of tomato (200g) reduced with 2 bay leaves
How the white wine is used
1 to 1.5 tbsp used to loosen the squid ink
Loosening/thickening the sauce
A splash of pasta water added and tossed in
Finish
Extra black pepper plus 1.5 tbsp finishing olive oil
Time required
Not stated in the video (part of a two-dish build alongside fried calamari)
Source
Partly unverified
Fabio A generous finish of spearmint for a refreshing, cool-edged plate
Noodles, quantity, cooking
70g spaghettini (serves 1)
Salt in the pasta water
1.5% to 2L of water
Preparing the squid, which parts are used
45g Japanese flying squid (rings and tentacles, lightly salted)
Sourcing the squid ink
2 packets of squid ink sacs (squid-ink paste also acceptable)
Aromatic base (garlic, onion, etc.)
Garlic, chili, and 15g shallot cooked slowly over low heat
How the tomato is used
40g tomato puree
How the white wine is used
A little white wine, reduced over high heat
Loosening/thickening the sauce
If the sauce splits, mineral water is added to loosen it and bring back the sheen
Finish
A generous half-pack of spearmint stirred through
Time required
Not stated (the process runs about 9 minutes 40 seconds)
Source
Partly unverified
Tomomi Ogura No squid meat at all — uruii's seasonal note and a light hand with tomato protect the ink's flavor
Noodles, quantity, cooking
65-70g pasta
Salt in the pasta water
1.5% concentration
Preparing the squid, which parts are used
None used — the dish is built on squid-ink paste alone, with no squid meat
Sourcing the squid ink
5g squid-ink paste
Aromatic base (garlic, onion, etc.)
1 clove garlic and 1 piece anchovy heated in olive oil with chili oil
How the tomato is used
50g tomato sauce (kept light so it doesn't get in the way of the squid ink's flavor)
How the white wine is used
Not used
Loosening/thickening the sauce
Whisked to bring it together
Finish
1 stalk of uruii sliced diagonally into thin strips added in, finished with a drizzle of olive oil
Time required
15 minutes (as stated for the video)
Source
Partly unverified

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1 Pasta & boiling Brand, thickness, salt, water volume, cooking time
2 Base Fat and the main ingredient: rendering, infusing
3 Sauce & emulsion Where you toss, heat level, how much pasta water
4 Finish Cheese, pepper, finishing oil, plating

The map of schools: where the heat is managed

For Spaghetti al Nero di Seppia, the fork in the road is how you emulsify and heat

Toss over direct heat

The pan stays on the flame and your hands manage the temperature. Fast, but it takes feel.

  • No styles here

Indirect heat

Bain-marie, steam, double boiler or a hand blender. Repeatable, at the cost of one extra step.

  • No styles here

Off the heat

Emulsify after killing the flame, or in a bowl with only the pasta’s residual heat. Hard to get wrong.

Salt in the pasta waterActual values from 3 styles. Equal values stack vertically
0.9%1.1%1.3%1.4%1.6%Ryuji: 1% of the waterRFabio: 1.5% to 2L of waterFTomomi Ogura: 1.5% concentrationTO
Total timeActual values from 3 styles. Equal values stack vertically
8.3 min10.1 min12 min13.9 min15.7 minFabio: Not stated (the process runs about 9 minutes 40 seconds)FYoshimi Hidaka: Not stated in the video (the process runs about 14 minutes)YHTomomi Ogura: 15 minutes (as stated for the video)TO

What to serve after this

In an Italian meal the primo (pasta) is followed by a secondo (main course)

Veneto 300 min

Baccalà alla vicentina

Baccalà alla vicentina

Dried Norwegian cod (stoccafisso) is soaked for days to rehydrate, then simmered for hours over low heat with onion, salted sardines, olive oil, milk, and Parmigiano until it turns creamy. Despite the name "baccalà", the fish used is actually stoccafisso (air-dried, not salt-cured), and the key technique is "pipare" — cooking it without stirring, only shaking the pot.

Pairs with: Bigoli in salsa / Spaghetti al Nero di Seppia / Pasta al Limone

Another Veneto seafood pasta. The squid-ink sauce is light and brothy, so it doesn't tip the balance even before the dense, milk-and-oil-enriched baccalà that follows.

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